Abstract

The present article focuses on transatlantic female quixotism, as enacted by Tabitha Tenney’s heroine, Dorcasina Sheldon. I argue that quixotism can be read as an interface between the events of the story and the Federalist conservative discourse that underlies them. In doing so, I claim that, in terms of gender, the heroine’s misreading of romances transforms her into a political tool whereby the ideals of female freedom and agency, social mobility, gender equality, racial equity and abolitionism-effective under Thomas Jefferson’s administration-are satirically depicted and seen as delusory in post-Revolutionary America. In terms of generic categories, I will show how Female Quixotism blurs the epistemological boundaries between truth and fiction by juxtaposing novel and romance, used interchangeably, with history.