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Category: Special Issue: Transmediating Culture(s)?

L'exposition "The boat is leaking. The captain lied" (Fondation Prada, Venise), Venice, Italy, June 26, 2017 | © Courtesy of Jean-Pierre Dalbéra/Flickr.

Transdisciplinary Studies Show How Hybridity Crosses the Boundaries of Cultural Media

In a special issue of Open Cultural Studies entitled “Transmediating Culture(s)?” that appeared in 2017, Justyna Stępień and Beata Zawadka, as its guest editors, have brought together contributions from cinema, literary, visual, epistemological and...

Life as Fair Use, December 14, 2007 | © Courtesy of Thomas Hawk.

New Article: Showrunner as Auteur: Bridging the Culture/ Economy Binary in Digital Hollywood

Elizabeth Blakey Published Online: 2017-11-30 | DOI: https://doi.org/10.1515/culture-2017-0029. Abstract This article engages the metaphor of showrunner as auteur to examine freedom of expression in television. News articles offer the metaphor of showrunner as auteur, with...

“See My Heart”: Art and Alchemical Reasoning, or Character Transformation in Bryan Fuller’s Hannibal

Anna Krawczyk-Łaskarzewska Published Online: 2017-11-30 | DOI: https://doi.org/10.1515/culture-2017-0027 Abstract Works of art seem to be used more and more frequently in scripted TV shows nowadays. Most often, they constitute a symbolic point of reference, an intertextual “interlude,”...

Game Logic in the TV Series The Walking Dead: On Transmedial Plot Structures and Character Layouts

Maren Lickhardt Published Online: 2017-12-07 | DOI: https://doi.org/10.1515/culture-2017-0033 Abstract This paper discusses plot structures and characters of the The Walking Dead TV series which can be traced back to the influence of computer games and gameplay. It...

Choices and Consequences: The Role of Players in The Walking Dead: A Telltale Game Series

Matteo Genovesi Published Online: 2017-12-07 | DOI: https://doi.org/10.1515/culture-2017-0032 Abstract One of the most important features in a transmedia structure, as Max Giovagnoli argues in his book Transmedia: Storytelling e Comunicazione [Transmedia: Storytelling and Communication], is the development...

Jewish Museum Berlin, Berlin, Germany, July 5, 2017 | © Courtesy of Artur Salisz.

New Article: Libeskind and the Holocaust Metanarrative; from Discourse to Architecture

Xanthi Tsiftsi Published Online: 2017-11-30 | DOI: https://doi.org/10.1515/culture-2017-0026. Abstract The Holocaust today resides between memory and postmemory. Initially, children of survivors and their contemporaries inherited a mediated past and bore full responsibility for disseminating their...

Rainbow-beach double-island-point, September 14, 2016 | © Courtesy of texaus1.

New Article: “Cinematic” Gravity’s Rainbow: Indiscernibility of the Actual and the Virtual

Lovorka Gruic Grmusa Published Online: 2017-11-24 | DOI: https://doi.org/10.1515/culture-2017-0023. Abstract Acknowledging that all media interpenetrate without any one being privileged as original, this paper focuses on the influence and omnipresence of screen technologies, cinematography in...

Showrunner as Auteur: Bridging the Culture/ Economy Binary in Digital Hollywood

Elizabeth Blakey Published Online: 2017-11-30 | DOI: https://doi.org/10.1515/culture-2017-0029 Abstract This article engages the metaphor of showrunner as auteur to examine freedom of expression in television. News articles offer the metaphor of showrunner as auteur, with Hollywood journalists...

Hollywood Drive-In Golf Now Open at Universal CityWalk 2, Universal Orlando Resort, FL, USA, March 5, 2012 | © Courtesy of Ricky Brigante.

New Article: The Frankenstein Meme: Penny Dreadful and The Frankenstein Chronicles as Adaptations

Barbara Braid Published Online: 2017-11-24 | DOI: https://doi.org/10.1515/culture-2017-0021 Abstract Mary Shelley’s Frankenstein (1818) is one of the most adaptable and adapted novels of all time, spurring countless renditions in film, television, comic books, cartoons, and...

Transmediality in Symbolist and Surrealist Photo-Literature

Lauren Walden Published Online: 2017-11-16 | DOI: https://doi.org/10.1515/culture-2017-0020  Abstract The fin de siècle period throughout Europe undoubtedly cultivated the “interdisciplinary principle of la fraternité des arts” (Genova 158). Literature, poetry, visual art and music superseded former hierarchical...