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Tagged: Cervantes

Bronze sculptures of Don Quixote and Sancho Panza, the Cervantes Monument, the Plaza de España, Madrid, Spain, December 5, 2008 | © Courtesy of Jorge Láscar/Flickr.

The Refractions of Cervantes’ Fictional Figure of Don Quixote in Cinematic, Literary and Therapeutic Narratives Across Cultures

In this blog post, Juan de Dios Torralbo Caballero briefly introduces Multicultural Cervantes, a special issue of Open Cultural Studies published in 2017, based on his foreword, that examines the work of Miguel de...

New Article: Don Quixote, Sweded by Michel Gondry in Be Kind Rewind (2008)

Erin K. Hogan Published Online: 2017-12-29 | DOI: https://doi.org/10.1515/culture-2017-0042 Abstract In the spirit of poetic license from Be Kind Rewind (2008), this article argues that Michel Gondry’s film “swedes,” its playful neologism for ersatz remaking of Hollywood...

Cervantes, the Journey, and What it Tells Us About Becoming a Writer

Lania Knight Published Online: 2017-12-14 | DOI: https://doi.org/10.1515/culture-2017-0036 Abstract The article traces the notion of empathy in fiction writing and how Cervantes’s treatment of characters in Don Quixote initiated a tradition which is ongoing in literature even...

Quixote Winery. Stags Leap Ranch. Architect - Friedensreich Hundertwasser. Napa Valley, California, USA, February 24, 2011 | © Courtesy of Sarah_Ackerman.

New Article: Faulkner’s Quixotic Picaresque: Carnival, Tricksters, and Rhizomatic Intertextuality in The Reivers

David E. S. Beek Published Online: 2017-11-24 | DOI: https://doi.org/10.1515/culture-2017-0024. Abstract Faulkner’s The Reivers exemplifies the Quixotic Picaresque-a conflation of the narrative modes exhibited in Lazarillo de Tormes and Miguel de Cervantes’s Don Quixote. This...